Showing posts with label workshop. Show all posts
Showing posts with label workshop. Show all posts

Thursday, January 29, 2015

Alchemy of Process, Workshop with Elise Wagner and Lisa Pressman, and the New World of Cold Wax



Workshop studies
cold wax, oil on paper
Just last week, I spent three game changing days in the Portland, OR studio of Elise Wagner.  Elise teamed up with Lisa Pressman for "The Alchemy of Process" workshop.  Two amazing artists sharing their processes and how they intertwine between their two styles to create something really magical.  Elise Wagner finds her roots in printmaking and Lisa Pressman is fluent in cold wax medium, together they share a love and common ground of working in encaustic painting.  While their artwork and methods are different, there are wonderful similarities that make this teaching duo a perfect pair.  Over the course of four days, a new door into the world of art was opened for me and I walked away with the keys. 

Elise Wagner and Lisa Pressman
Wagner is the winner of Pollock-Krasner Foundation Award for 2015
Pressman is featured in the Huffington Post article "Ten Memorable Paintings from 2014"
This is a four day workshop with our first day kicking off in the beautiful Butters Gallery where the works of both Elise and Lisa hung in the show "The Spaces Between".  The workshop is so popular that a second session was added this year.  The sessions ran back to back with an overlapping day ending the first and kicking off the second.  For day one, we talked - inspirations, shared artwork, and lots of questions around websites, artist statements, approaching galleries and any and all art profession questions we could dream up.  Elise and Lisa were genuine, helpful, and direct with their answers making us all feel at home in a nurturing and educational environment.  The next three days we rolled up our sleeves, parked all expectations at the curb and dove in to the alchemy of process. 

Colaberation
Lisa Pressman and Elise Wagner working together in encaustic
We worked with Elise making encaustic collograph prints on the first day.  The anticipation of seeing the first print after rolling it through the press has the same level of excitement as opening the envelope of 4x6 prints from a roll of film that has just been processed.  There was a lot of thought that went into the preparation and then the crowning moment of the reveal and seeing how you did.  Its pretty uplifting. 
 
Day two was about learning to use cold wax medium with Lisa.  She warmed us up with some drawing and mark making exercises that got us loosened up and then introduced us the world of working in cold wax.   I'm overboard in love with this stuff and the world of abstract painting.  Totally different than where I dwell in my little corner of the encaustic world.  Thought provoking, playful but not without a new set of frustrations that come with learning any new medium - like mud. 
 
Day three - encaustic and then whatever we wanted to work more on.  On this day, Elise and Lisa worked side by side at the hot wax palettes.  So interesting to see the differences in how they work the same medium so proficiently.  Different styles, different approaches, same language. 
 
Each day we learned to see more, to edit, to add and subtract.  We learned new mediums, new ways and magical insights.  Great meaningful discussions, questions answered, sharing and all of this in a comfortable and nurturing way.  Great teachers, great workshop.  I told them both that when I came on the first day I felt like for quite a while I had been searching for something in my art that I could not define, but felt like whatever it was I couldn't find it.  When I left, I felt like I could rest my search and stay in this spot for a while with all of the information that came in - there are answers for me.  But, I have to work it and experiment and play a lot for it to take shape in a tangible way.   Got a lot of discovery ahead of me which sounds like fun.  Many thanks to Elise and Lisa for an enlightening four days and giving me new tools of inspiration.
  
Happy Students
Melissa Lackman and Mary Lee and a whole lotta art created in 3 days




Monday, August 29, 2011

Encaustic Workshop from Stephanie Hargrave

Awesome workshop from
Stephanie Hargrave


Rosarii (left) gets some instruction from Stephanie

I was so lucky to get in on the last (at least for a while) encaustic workshop taught by Stephanie Hargrave.
It was a couple of weeks ago at her studio in West Seattle. 
I've been a fan of Stephanie's work for a while, so this was a real treat for me... Just to be there and soak in all the creative vibe going on in that place.  There were 5 of us in total and we were a grand diverse group.  Rosarii (in the photo above)is an amazing photographer.  You can visit her website HERE

It may be some of the same stuff I learned in an earlier workshop, but to actually see and learn HOW Stephanie uses those techniques was really cool.  Of course, each artist/instructor has her own style and techniques for using the same stuff.  I learned all kinds of new twists and ways to think about things.  New embedding paper ideas... and OMG! I learned about shelac which I have never used.  And, how easy it is to tint shelac with powdered pigments (yeah, gotta be careful with those.. need good ventilation).  There is something about the shelac when coated with wax that really gives an awesome look.  Can't explain it - just need to experiment more with it. 

One of my other learnings is to melt and make up 1 pound of medium at a time in an electric wok, strain and use that to have the working medium.  Holy cow, beats the heck out of muffin tins and little containers like that.  Of course need a big space for it.  And... Stephanie tends to work on big paintings which = the need for a lot of wax. 

We even had a bonus lesson from Rickie Wolfe, who is a talented artist who teaches at Pratt in Seattle.  She gave us a lesson on print making using ink on a glass palette using a brayer to spread the ink.  She used tissue paper and drew great designs that could then be embedded into the encaustic paintings.
Give Rickie's website a visit and see all her great stuff HERE 

More to think about::: Tons of layers (like 100!) and lots of deep interest.  I realized that I'm not even scratching the surface of the layering thing. 
  There is so much that can be done with encaustic that it truly is an amazing thing - this wax. 

Other learnings:  Be more intuitive and don't be afraid to experiment
Here are some of Stephanie's paintings.  You can see more on her website Stephanie Hargrave




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